Welcome back to HDR News! This issue is all about technique and workflow with some intriguing travel photography added in for good measure. If you’ve ever struggled with getting your landscapes truly sharp from front to back we bring you the best explanation of focus stacking we’ve seen yet. We also look at software for batch archiving your scans and the best photo monitors for your unique needs. Finishing up we bring you a hands on look at Apple RAW, the new raw file format that’s been added to iOS 14.3. Let’s get going!
Here’s the truth you didn’t want to hear. You can’t get those deep depth of field images sharp, in camera, unless you’re using a tilt-shift lens or a larger format camera with adjustable front and back planes. Sorry but it just can’t be done, even if you’re shooting at f22. And, you don’t want the chromatic aberration that happens at f22 anyway. Your solution is focus stacking. It’s a very straight forward technique where you shoot multiple images of your scene, focusing on successively different areas and stitching the resulting images in your imaging application.
Learn focus stacking HERE.
Most likely your camera has a slow shutter setting of 30 seconds or more. And, you most likely have a bulb setting as well. They’re there for a reason and learning how to use them can bring you some serious delight when you open up your long exposure images on your monitor. Long exposures have always been used to capture images of the stars but, even more interesting are the landscape images with wonderfully blurry streams, lakes and shorelines. This guide will give you the info you need to get out there and capture those images yourself.
Get the long exposure guide HERE.
There are so many Photographer-Of-The-Year competitions out there that it’s hard to distinguish between those created as marketing tools by manufacturers and those created by photographers for the love of photography. The international Travel Photographer of the Year awards were founded in 2003 by professional photographer Chris Coe and his wife.. You’ll see from the quality of the winner’s images that they know and love photography and, you are the beneficiary.
See the great travel images HERE.
After you’ve made your image, photography is all about the monitor on which you do your editing. In fact, you’ll spend way more time in front of your monitor than behind the viewfinder of your camera. To do your best work your monitor needs to be high resolution and color accurate. But, how do you make sense of all the monitor options out there? Which ones perform the best and which ones represent the best value? Read this valuable article to find out.
Find your new monitor HERE.
Most of us dedicated photographers are not traveling freely during the pandemic. This is giving us a lot of extra time and many are using that time to attack an issue we’ve been putting off and putting off. That’s digitizing our priceless slides, negatives and prints from our film days. As you know, that’s a lot of work to look forward to but, wouldn’t it be great if you could batch process your archives? You can and there are a number of software applications you can use instead of the app that came with your scanner. Here’s a great review of some of the best packages out there.
Evaluate batch scanning apps HERE.
If you’re serious about photography you shoot your images in RAW format so that you can work with the actual data that hit your camera’s sensor; free from the artifacts and data loss caused by an in-camera jpeg conversion. Apple’s new RAW format gives you much of the power and flexibility you’ve come to expect from your DSLR on your iPhone. Remember, the best camera you have is the one you have with you.
Read about Apple RAW on the iPhone HERE.
Welcome again to HDR News. Winter and early spring present great photography conditions in terms of clear air, long shadows and wildlife that isn’t hidden by foliage. That’s why we’re concentrating on outdoor photography in this issue. We dive into the advantages of traveling light and then reverse the table by looking into the best landscape cameras. There’s a fairly new 100-400mm lens out there that can get you into wildlife shooting if you’re on a budget. And, we end with an in-depth interview with a photographer of an awesome and rare bird photo. Let’s get going.
We often talk of camera specs in HDR News but specs are specs. The end of the photographic journey is getting the picture itself. If you’re traveling to a remote location and expect to be out there for a while, weight turns out to be one of the most important camera specs. The lighter your camera kit the more mobile you’ll be and for a longer time. This article, takes that idea to a five week trek through the back country of Africa with the use of a Leica CL and a Panasonic GX8 with a modest collection of lenses. Traveling light has its advantages.
See how low weight can boost your photography HERE.
You’ve we’ve come to know the most knowledgable, hands-on reviewers out there. We’ve come to respect Nasim Mansurov at Photography Life because he actually uses the equipment he reviews in the field. And, every time we’ve made a purchase based on one of his reviews we’ve been throughly pleased. We know many, if not most HDR News readers are landscape photographers which makes this particular article by Mansurov valuable. Before you give it a read, guess what he picked as the top landscape camera in production.
See which cameras Photography Life thinks are the best for landscapes HERE.
When we choose an article for HDR News we like to make sure that they contain useful information rather than the obvious. Those articles are difficult to find as so much photo info is rehashed. This article contains some useful information that we haven’t considered before. You’ll especially like the suggestion about the red shirt.
See what you need to carry HERE.
If you want to get started with wildlife or sports photography you need a sharp long lens. Better yet, a long 100-400 zoom will give you flexibility and reach. Canon, Nikon and Sony versions of these lens can easily top $2500. Bottom line, you’ll need reach, sharpness and reliability but, it’s got to be affordable. Enter the Sigma 100-400 which can be had for around $800. Let’s find out if price indicates quality or if we’re looking at a tremendous deal.
Get the details on this great lens HERE.
As Larry King said “I never learned a thing when I was talking”. Indeed. Asking questions puts us in learning mode and, that’s just what you have in this article. The image is amazing. How does one capture the flight of a hummingbird and the flight of a honey bee: in the same frame. Let’s ask the photographer. When you question your peers on what and how they’re accomplishing their great works, you just make your own photography better.
Read the interview HERE.
Welcome again to HDR News. It’s year’s end and time for photo publications to deliver their best of the year articles. There are two important reads for photographers. They are Time’s Top 100 Photos Of The Year and dpReview’s 2020 Awards. One will display thought provoking photos and the other will suggest the equipment to make those photos happen. In the area of photo technique, think back to that great photo trip you took and you just knew you came back with killer images only to find some were just not sharp. We show you why. We also point you to an article that explains what few photographers know about; focus breathing. In addition there is an astonishing encounter between photographer and bird of prey that will make you smile. Let’s get going!
In our lifetimes we won’t often hear folks welcome the end of a year. This year is way different. The constant barrage of discord and strife across the globe has determined the direction photojournalism has taken in 2020 and that direction is on full display in Time’s 100 photos of the year. The collection is a conflict between composition and subject. Great photographers skillfully filled their frames with the chaos in front of them, forcing us to feel events that just could not be ignored. Art and news came together this year to inform us in a way that went straight to the heart.
See the top 100 photos HERE.
Many issues of HDR News will feature a product analysis by dpReview. We marvel at their expertise and the hard work they put into their equipment reviews. They put products through tough analyses and write reviews which carry the respect gained from having reviewed hundreds, if not thousands of products before. And, they appear to truly love what they do which is a bonus for us. So, when dpReview bestows its end-of-year awards in various photo product categories we should be paying attention if for no other reason than to make good buying decisions for ourselves.
Check out the top equipment of the year HERE.
If you’ve been working with photo editing software for a while you probably know that applications sporting a “Sharpen” function don’t actually sharpen your image. When employed, the Sharpen function looks for edges in your photo and increases the contrast along those edges thus giving the illusion of a sharper image. Now AI appears to have changed the playing field in the area of sharpening. What if an application could actually sharpen your image. Watch this incredible video and decide for yourself.
See AI deliver the sharpness goods HERE.
Have you ever gone out and captured what you think are perfectly executed images only to find they are slightly out of focus when you blow them up large on your computer screen? We all have. There’s a reason it’s happening and there’s a fix for it with a simple adjustment to your DSLR camera’s settings. We’ve been using this fix for years now and the technique is a game changer. Pro photographer Mark Denney takes you through the setting in this video. Be patient because the details start around six minutes into the video.
Discover the setting HERE.
If you’re into the technical aspects of photography you’ve probably heard the term “focus breathing”. But, what the heck is it and why should you care? This video discusses exactly what focus breathing is and who needs to worry about it. It is, in fact, more of an issue for videographers and it’s likely more important for videographers who use DSLRs for their video work.
Learn about focus breathing HERE.
This is really cool. Check out this article and watch an adolescent owl land on a nature photographer’s head and then perch on his camouflaged 600mm f4 lens. You’ll be amazed at two things in particular: how perfectly the owl blends in with the camouflaged lens and how huge the bird is in relation to the humans. We expect great environmental landscape blending in dominant bird and animal species but sometimes the sheer size of a wild being can throw our senses off kilter.
See the bold bird make a photographer visit HERE.
Welcome again to HDR News. The holidays have begun and photography is on our minds. In this issue we get insights into one of the most famous National Geographic photographers Steve McCurry and celebrated conflict
brand new 150-400 zoom that sports a built-in teleconverter. And, most interestingly, we serve up solid advice from seven photographers who made the jump from hobbyist to professional because, we know you want to do that yourself. Let’s get going!
Steve McCurry’s photos of life and culture in the remotest pockets of the globe have graced the pages of National Geographic for decades. He is the artist behind Afghan Girl one of the most celebrated and haunting images ever to grace the cover of the magazine. There are volumes of experience
that McCurry can provide us that would help us integrate into a new culture or just get us to the point where we could ask a complete stranger to take their portrait. Read this valuable interview with McCurry in Conde Nast Traveler’s How I Got This Shot feature to grab
some of this experience.
Get McCurry’s wisdom HERE.
If you talk to a working photojournalist, sports photographer or even a portrait photographer and ask them which lens they can’t live without, most will tell you it’s their 70-200 f2.8. That’s not an exaggeration. In fact, many working pros rely on a two camera setup with a sturdy 24-70 f2.8 on one camera and a 70-200 f2.8 on the other. The top manufacturers know this and it’s the reason these two lenses are their sharpest, most clear and fastest lenses they make. Right now let’s focus on the 70-200 f2.8 and see how the Canon, Nikon, Sony and Panasonic mirrorless lenses stack up in this dpReview article.
See which zoom was the winner HERE.
If you’re a nature or sports shooter you’re probably tired of lugging a 8.5lb monster lens into the wild. Wouldn’t it be a dream to have a lens that has pro quality sharpness from 150mm to 400mm in a package that’s just 12.4 inches in length and weighs just 4.1lbs? On top of that throw in an 8 shutter speed image stabilization system and you’ve got Olympus’ new M.Zukio Digital ED 150-400mm lens with a built In 1.25 converter. This may be the lens that helps you get farther into the back country for those special wildlife images.
Learn more about this possibly amazing lens HERE.
“It’s a man’s world” they say of war photojournalism but no one told Lindsay Addario. She shoots in the thick of the action in locations we wouldn’t consider going to like Afghanistan and Syria. She’s been one of the few, if not only, women photographing in the midst of the Taliban. The list of dangerous situations is long. She claims that she knew little of operating her camera in her early years but this may be modesty as most would be proud of the photographs she’s made. This Vanity Fair interview with Addario takes you inside her thinking about danger and photography.
Get inside the world of Lindsay HERE.
You love photography and you’d like to do it full time. That is, you want to take photography beyond the hobby status it plays in your life to where it is the point of your work life. It’s being done all the time and if you’re considering the leap you’re probably scouring the Internet for advice from photographers like yourself who’ve done it. This article is special because it features advice from seven different photographers working in different corners of the market. It’s solid, useful advice.
Learn more about going pro HERE.
You may be shopping for the budding photographer in your life or friends may be coming to you for advice on their purchases. The question at Christmas time is “what’s the entry level DSLR that will grow with the budding hobbyist photographer in your life?” The answer to that one is not so easy. The camera should have excellent photo quality and pro-level controls. It must sport more than 20 megapixels and the autofocus should be super quick. The guys at The Slanted Lens did a deep review video of the Sony a7C and the Nikon Z5. It turns out both cameras are great choices but you may want one or the the other depending on how the camera will be used.
Inform your Christmas purchase decisions HERE.
Welcome back to HDR News. There’s nothing like diving deep into your photography to get your mind off the craziness that surrounds us these days. We start off with photo tips every photographer should know but may have not thought about (it’s not a Rule Of Thirds article). If you’re considering a camera brand change you’ll need to know which lenses are offered by the big manufacturers. We’ve got the article for you. We also look at creating depth in your landscapes, early entries in the Sony Awards and suggestions for a post-Covid road trip. Let’s get going!
If you’re going to be great in any skill area you have to have a humble streak. Admitting to yourself that you don’t know everything about your area of expertise allows you to gather in more new information that will certainly up your game. This video takes you back to the basics in a clear, visual way and is worth the time spent viewing. And, while we’re calling this basic, the topics in the video are a step beyond basic like, frame-within-a-frame, color theory and negative space. You’ll also love the creative framing used in the sample photos. Watch it!
Get the tips HERE.
The intro to this article says it best. Street photography is not about close portraits using a 35mm lens in an urban setting. Street photography is capturing humanity in all its forms from a family departing a church after a first communion to an aged soul walking their beloved dog through a leafless park. It’s a soulful form of photography. To accomplish your street photography goals you need a camera that is effortless to wield and focuses quickly. Here’s a great rundown on what’s available.
Learn about great street photography cameras HERE.
Mads Peter Iversen is a dedicated landscape photographer. He’s also an articulate communicator. He’s produced a video that cuts right to the chase in creating interest in a landscape photograph; depth. He drives home the value of the wide angle lens which, is not about packing
everything you can into a camera frame. It’s about knowing how to use a wide angle lens to make foreground objects appear large and distant objects appear small, also known as “depth”. The added bonus in this video is the musically accompanied walks Iversen takes through the woods. One view of the video will alleviate more stress than an hour with your therapist.
Find out how depth can help your landscapes HERE.
Which platform should you choose? Often the availability of different lenses on a particular camera platform will help make the choice for us. It would be nice if we could go out and buy or even rent various lenses from the big camera makers to see which one best suits our needs. But, even renting bunches of gear to test can get expensive and cumbersome. That’s why before we plop down thousands of dollars on a new camera platform we rely on the publications that have great relationships with the big camera companies to do the testing for us. This dpReview article sums up the offerings of the big three manufacturers and is a good source for getting started on the daunting task of choosing which brand is best for you.
See the lens comparisons between the three systems HERE.
If you’re in need of some photographic inspiration a great place to start is checking out this article in the U.K.’s Daily Mail that reveals early entries in the annual Sony Awards. The Sony Awards has been drawing some of the world’s best photography for 14 years now with the quality of entries seeming to eclipse previous entries each year. Judging from this collection of images this year is no different.
See the early entries HERE.
If you’re out there shooting landscapes on a regular basis you’ve probably figured out that there’s one filter that you reach into your bag for on a regular basis. It’s the filter that will remove the glare on the surface of the pool of water below a waterfall. It’s the filter that will deepen the color of the sky to provide contrast with mountains below. It’s the filter that takes the sheen off of wet surfaces to make colors pop. You know what it is!</p>
See which filter we’re talking about HERE.
Europe has been off-limits for Americans since last March. But, eventually, the European Union will let Americans back onto their continent. The world will return to normal so, why not do the research to plan a fantastic photo trip. We recommend you start your research by checking out these fantastic drives through France. From the Loire Valley, to the French Alps, to the Cote d’Azur and more, France serves up more photographic beauty than most anywhere in the world. Read this article, pick a trip that interests you and start driving; when they let us back in of course.
Learn about road trips HERE.
Welcome again to HDR News. It’s been a challenging summer because of all the health and social issues we’ve had to process. Your photography can really come to the rescue when you need to get into a positive mind set. We have some great articles that will help you get deeper into your images. We have a solid guide to making that great Milky Way photo you’ve always wanted to shoot. We have images from the high altitude city of Kathmandu. There’s an info dense piece where six pros give you their lighting basics. And, there’s a look at some neat cameras you may have not have known about. Let’s get going!
Making a wonderful photo of the Milky Way is something most budding landscape photographers strive to do. In reality, shooting the night sky is not as easy as grabbing a tripod, pointing your camera towards the sky and making a time exposure. There are nuances you must master not the least of which is avoiding the inevitable light streaks caused by the earth’s rotation. This article will help you solve the streak issue and a lot more.
Shoot the stars HERE.
Many photographers savor discovering the differences between different models of digital cameras. There are many, many cameras that hit the market that never thrived but possessed features and image quality that were surprising. They arrived with names like the Leica TL2 or Samsung NX1 or Olympus Pen F. If you don’t have the opportunity to get some hands-on time with these cameras this article does a nice job describing them for you.
Learn about these neat cameras HERE.
Kathmandu? You’ve likely heard of this mysterious city that lies in central Nepal. The name Nepal itself conjures visions of Himalayan mountain peaks and religious monks. It’s a country that is sandwiched between India to the south and Tibet to the north. To westerners it’s exotic. To the intrepid photographer it’s all about golden light and interesting people. Bangladeshi fine art photographer Ashraful Arefin produced this cinematic collection of street images that will catch your imagination.
Experience the light and people of Kathmandu HERE.
The Rule of Thirds has given many a photographer a great starting point in developing composition skills. But, too many photographers take the short route and don’t use the rule beyond placing interesting scene elements right on the intersection points of the one-third lines. There’s more to the rule and knowing it in depth could really help your compositions.
Dive into the Rule of Thirds HERE.
Many pro photographers will tell you that photography is really not about the camera or the lens. It’s about light and how you manage light to create an image that tells the story you want to tell. Most of us start our photographic journeys shooting landscapes and depend on the light that nature is giving us at the time. Eventually though, your skills will improve and you’ll be asked to create portraits and headshots. At that point you will be compelled to become more knowledgeable about managing light. That’s where this article comes in. It is packed with the secrets of six working pros and it’s very easy to understand.
Learn about good lighting HERE.
Here at Pinnacle we love to enjoy great photographs. This month we look at two surprising collections, each at opposite ends of the professional spectrum. We have a collection of impressive images from the iPhone Photo Awards and a collection of other-worldly weather images from a master. We also cover the technical with an interesting entry-level, full frame mirrorless camera as well as a look at the specs of the top ultra-wide zooms. Good stuff. Let’s get going!
The new Nikon Z5 mirrorless camera will catch the eye of photographers who want to switch to mirrorless but were dragging their feet due to budget. The Z5 is priced about $450 less than the Z6 and about $1,400 less than the flagship Z7. The sensor in the Z5 is a 24mp CMOS design but it’s not the same as the sensor in the Z6. The Z5 interface has a more consumer layout than its bigger brothers. So, is the Z5 the way to go? A good place to start getting info is this nice dpReview review.
See if the Z5 meets your needs HERE.
The 13th annual iPhone Photography Awards received thousands of entries from over 140 countries. The shocker is, the images are fantastic. They range in subject from pure art to street photography and you certainly can’t tell they were shot with an iPhone. More shocking is the fact that they were not necessarily shot with the latest iPhone 11 Pro. Photographer Of The Year was awarded to an artist using an iPhone 6. It goes to show you great photography ain’t about the equipment.
See the winners HERE.
Eric Meola has innovated with color since graduating from the Syracuse University Newhouse School and his subsequent managing the studio for legend Pete Turner. He has won awards and accolades like Advertising Photographer Of The Year. His “Coca Kid” photograph of a young Hatian boy was included in Time Magazine Special Edition, 100 Magnificent Images. Meola started chasing storms for their surreal beauty in 1977 while shooting Bruce Springsteen for the cover of his The Promise album. Today those trips to capture raw nature have resulted in a magnificent body of work. Take a look.
See the amazing images HERE.
Must you rely on an interesting setting to make a good portrait? Actually, it’s how you connect with your subject that will determine the quality of your portraits. It doesn’t hurt to have a great lighting sense and the ability to shoot tight or loose. This article gets you into the nitty gritty of three photographers who know how to connect with their subjects and summon their skills to create memorable portraits.
See how these photographers get the job done HERE.
“Fill the frame” is what you’ll hear from a good photo composition instructor. That’s not so hard to do with a medium to long zoom lens but try filling your frame with an ultra wide zoom like Canon’s RF 15-35 f2.8. If you succeed you’ll be very close to at least a part of your subject. Nevertheless, ultra-wide zooms are fun to shoot and can give you some very compelling images. This article gives you a close look at eleven of them from the top photo manufacturers.
See how the ultra-wide zooms spec out HERE.
We’ve all heard that we shouldn’t over expose our highlights to avoid loss of detail. Did you know that over exposing is a fundamental skill of fashion and portrait photographers? This video will give you a solid understanding of how and when to overexpose to eliminate unwanted details, create mood and direct the viewers eye. Check it out.
Learn about good overexposure HERE.
Welcome again to HDR News. We’re taking a wide look at photography this month by covering equipment, imaging technology, famous photographers and even vintage images. First up is a look at Canon’s new, long awaited mirrorless camera. Then we take you to Rijksmuseum museum in the Netherlands where they’ve posted online an amazing super, super high-res image of Rembrandt’s most famous painting. Then, we see the tables turned on one of the world’s most famous photographers. We end with a non-pandemic look at New York City in images from as long as 140 years ago. Let’s go!
Canon may have just created mirrorless parity amongst the big three camera makers with its announcement of the specs for the new EOS R5. In its “First Look Review” CameraJabber states, “ First impressions of the Canon EOS R5 are impressive. This is a refined version of the EOS R with souped-up specifications and a possible price tag to match” And what will that price be? Right now the Nikon Z7 is priced at $2,800 at B&H Photos. The Sony a7R IV is going for $3,500 (ouch!). We think the initial price will be set in between, somewhere around $3,100. But, you never know because competition is a wonderful thing.
See the video HERE.
You’ve been dragging your feet. You love new camera gear and you know the camera industry is heading down the mirrorless highway at breakneck speed. And, what better time to make a full jump from one brand to another? But, you know. If you wait just a little bit, the next, more fully realized mirrorless model will be introduced and you won’t feel a bit foolish for having jumped in too soon. Eventually though, you’re going to make the plunge so you might as well have all the information you can gather. To that end here is an entertaining and in-depth of the pluses and minuses of the mirrorless offerings of the big three manufacturers.
See which brand rises to the top, in this article HERE.
One of the most important and famous paintings in the world is by Rembrandt and is titled Night Watch. It has hung in the Rijksmuseum in the Netherlands since 1808 and is the country’s most prized work of art. Rembrandt received the commission for the work in 1640 and it was finished in 1642. The painting is in the middle of a major restoration and part of that project resulting in one of the most amazing photographs you will ever see. It’s a “hyper resolution” image of the painted that when zoomed in on will present a single brush stroke as large as your computer screen. This is a must-see.
Follow Operation Night Watch HERE.
See the amazing hyper resolution image HERE.
Joe McNally is one of the most well known and prolific photographers working today. His experience and talents span photojournalism, advertising, fashion, portraiture and more. His photos have graced the covers of magazines large and small most notably LIFE, Sports Illustrated and National Geographic. His list of clients is too long to list here. So, when Nikon turned the tables on McNally and secured L.A. portrait and wedding photographer Jerry Ghionis to make a portrait of McNally it grabbed our attention. The assignment was
for both photographers shoot each other using only Nikon’s Z 85mm f1.8 S lens. Ghionis’ described the feeling of shooting a legend as “..that’s like being asked to cook for Gordon Ramsey!
Read about the shoot in dpReview HERE.
Check out Joe McNally’s website HERE.
And, take a look at Jerry Ghionis’s website HERE.
If you shoota lot and post your images on the Internet you’ve probably had some images stolen. If your images haven’t been stolen yet they probablywill be in time. Copyrighting your images is the way to protect your creative property? Sort of. Copyrighting involvesapplications with the federal government and if you find your copyrighted work has been stolen, lawyers get involved. The word “lawyer”translates to many thousands of dollars. Check out this short but informative article to learn more about what’s required to protectyour work and pursue a possible thief.
Learn more about what it takes to protect yourself HERE.
New York City has taken one or two on the chin in recent months. The densely populated region was the perfect environment for spreading the Covid-19 virus. In following the news coverage of recent events you’ve seen the airwaves and the Internet have been full of images of tightly packed skyscrapers and streets devoid of traffic. But, did New York always look like this? This collection of photos, starting in the 1890s, is a reminder of the explosive growth and constantly changing culture that is New York City.
Step into the past HERE.
The days are getting longer in more ways than one. Spring has brought us more hours of sunlight. The shutdown has made each hour inside seem even longer. Our brothers and sisters in the pandemic’s hot spots have it way worse and this is why we start this month’s issue with a truly moving piece of work by world renown photojournalist Peter Turnley. Also in this issue we see how non-normal equipment can give your photography the creative boost it may need. We take a look at in-the-moment shooting by pointing you to a camera update that may have you feeling like Bresson. We also reveal some hidden National Parks and link you to the Big Kahuna photo contest of the year. Let’s get going!
The bulk of Covid-19 coverage is about the disease itself. The morbid statistics delivered on the news are numbing, eventually leaving you to somehow distance yourself from feeling the tragedy of the situation. It takes one of the world’s finest photojournalists to break through the cloud of distasteful information and create a connection with the people living in the epicenter of the outbreak. Peter Turnley connects you to the story of living life in New York City right now with empathetic compassion and sophisticated artistry in his video The Human Face Of Covid-19-New York City. You just have to see it. It lifts you.
Turnley is the right photographer for the times. His photography lives inside the human condition. His work made the cover of Newsweek 43 times. For gear Turnley used his Leica M10 camera with a Summilux 35 F1.4 lens to get you close to his subjects while simultaneously capturing their environment. There is so much going on in these images that, in total, they constitute a master class in composition. It’s the way the Leica was meant to be used. Take in this video on YouTube and visit his website to learn more about this remarkable talent.
See the video HERE.
Visit Turnley’s website HERE.
Will a zoom lens make you lazy? Will a zoom stunt your photographic development? It just might. Try ditching your zoom, pick out a prime lens you think will do the job in most cases and live with it for a while. You may find yourself moving around a lot more to frame your image the way your mind’s eye sees it and, that’s a good thing. But, which prime lens do you pick? Did you know that Henri Cartier Bresson (HCB) most frequently used a 50mm, even though his compositions looked like they were shot with a 35mm. The photographer in this article went with a 35mm.
See how a 35mm prime lens worked out HERE.
If you’re getting that HCB feeling right now. That’s a good thing, especially if you’re pining for a Leica with a prime lens but can’t afford one. Flirting with icon status is the Fuji X100V. Its form factor is small and concise. The images it produces are fantastic. Learn more about it in this excellent DPReview piece.
Find the article HERE.
The Sony World Photography Awards 2020 are the big kahuna in the year’s photo competitions. At once, a look at the finalists will inspire you, intimidate you and make you wonder “how did they do that?” The nice thing about the Sonys is they don’t just dump the winners on you. They spend weeks displaying the images that are in contention all the way up to the winner’s announcement on June 9.
Dive into some great images HERE.
Landscape photography excited Hristo Svinarov for a long time. He shot a lot. He got good. Then, the excitement slowly dissipated bit by bit. It’s not an uncommon story for advanced amateurs and even pros. This is especially so in landscape photography where it’s been argued that virtually every shot has been taken. The reality is, it’s incredibly difficult to devise a new and unique landscape composition. When they hit the wall, some photographers switch genres. Some stop shooting. Read this article to see how a Hristo became revived.
Read this article to see how a Hristo became revived HERE.
It’s rare to find a photographer who attacks an almost cliche subject from an entirely new perspective as did Hungarian freelancer Gabor Nagy. Traditional images of “Tuscany” are typically shot in a small section of the region known as Val D’Orca where the farming compounds are surrounded by sculpture like fields and dotted with Romano cypress trees. To get an idea of Nagy’s work imagine making one of those images but looking down like you’re a bird. Better yet check the images out for yourself.
See what what a drone can add to your imaging making HERE.
If you’ve been working under the assumption that ISO settings in your camera simply reflect increased amplification of the signal coming from your sensor’s pixels then, you’re wrong; sort of. ISO refers to the responsiveness of the entire image pipeline. ISO in a digital camera ties together the light hitting your sensor, the responsiveness of the sensor and the lightening effect on your image. We’ll stop there. If you want to dive into the details of ISO and how it affects your images we’ve got the right article for you.
Check it out HERE.
We’re going nuts staying close to home and foregoing new shooting possibilities. We’re starting to see some public parks start to loosen up. Some great, low traffic National Parks are highlighted in this article and may be some of the first to open. Most of them we didn’t know existed. Some parks appear to be partially open like Haleakala on Maui and Canyonlands in Utah. The article provides hot links to the official websites of the parks where you’ll find all the up-to-date opens and closures.
We bet you’ve never heard of most of these National Parks HERE.
We are deeply saddened and moved by the suffering of those around us and around the globe caused by the current Corona virus outbreak. It’s a story that must be told and still photographs can tell that story in a way most mediums cannot. To that end, in this issue we highlight three pieces of photojournalism that report on the new-normal caused by social distancing and lockdowns. We also bring you two stories that explore that heart and soul of being human, one that goes deep into Margaret Bourke White’s famous Migrant Mother and another that documents one photographer’s act of saying Good Bye. There’s more including side light in nature photography and a stunning look at large format film vs. digital output. Before we get started let’s take a moment to reflect on all our fellow humans dealing directly with pandemic especially those who may have lost a loved one.
Video footage of empty streets is saturating the nightly news these days. But, nothing tells a story like a collection of thoughtful still photographs. We found the following collections to be compelling.
This collection we discovered on Flipboard emphasizes loneliness in normally vibrant places. It’s a juxtaposition that leaves you feeling like a visitor on another planet.
Find the images HERE.
Probably the most severely affected country by the COVID-19 is Italy. It’s normally swamped with tourists and their selfie sticks every day. These images help you see Italy’s ancient cities in a way you never could in normal times. If you’ve ever experienced the plague of tourists that descends on Venice each day you’ll realize that these images may be a one-in-a lifetime phenomenon.
See the results of the virus in Italy HERE.
The absence of people in pandemic images provides us with the ability to see into the distance with endless visual perspective. We feel as through we are alone in the landscape; heroic adventurers.
Investigate the empty places HERE.
Seen by most Americans, Dorothea Lange’s famous photo of Florence Owens Thompson, known as The Migrant, tells a story. It has become the defining image of Depression Era photography; “… an iconic representation of true American
grit in the face of adversity.” But there is a lot more to how this image came about. Years after encountering Thompson and her children Lange described the image as the spontaneous result of detached photojournalism. Our tendency is to believe that narrative until we realize that she was using a large format, single image Graflex Series D camera. It’s not the kind of camera you would use for spontaneous photojournalism. Yet, Lange shot six images in the session. So, how did that image really come to be? What ever became of Florence Owens Thompson? And, why was one of Thompson’s children later
quoted as saying; “Mama loved to have fun… “They were tough, tough times, but they were the best times we ever had.” You, as a dedicated photographer, need to know the real story!
Learn more about the iconic image HERE.
Heartwarming for sure. Heartbreaking possibly. The natural arc of life can send our parents to a smaller, more manageable home in a seniors community. We visit them as often as possible to check up on their well being but frequently just to get a dose of the love when knew so well growing up. There is always the “good-bye” wave at the end of the visit. Deanna Dikeman’s series started almost by accident while documenting the rest of her family but after nearly three decades both parents are gone. Two of the most notable images are the ones where first, her dad is not in the photo and the final photo, with no one in front of the house.
See 27 years of Goodbyes HERE.
If you’re a regular reader of this newsletter you may not be a paid, working pro but we bet you could easily be one. If only you had the time and cash to pursue photography full time you would… well, we know. Having the camera knowledge that you do possess, we thought you’d find it entertaining to see what Digital Camera World says are the best cameras for a pro. You know what works for you. Let’s see if the publication feels the same. We trust that -you- know better.
See how your evaluation of the camera landscape compares HERE.
Imagine if you had to individually, one by one, load film into your camera to make a shot. Each sheet of film would have to be completely protected from light contamination by using a dark bag. In that closed bag you would have to place a sheet of film onto a film holder that would later be loaded into the camera. Once loaded we couldn’t forget to remove the door from the holder so the light through the lens could hit the film. We won’t go into the gory details of actually focusing the camera. But, but, but…. the image quality produced by an 8” x 10” large format camera is so good it can seem surreal; unbelievable.
Don’t believe us? Give this article a read HERE.
Watch this video to see what it takes to set up and use a large format camera in the field HERE.
Simple advice is quite often stellar advice. For example, take that landscape you traveled far to take. The sun is settling low behind you. Your foreground and rear elements are lining up exactly right. And, darn! The scene is lit too flat to create any drama, sending your image to the average pile. Why? because the sun was behind you thus eliminating the shadows that create depth and texture in a landscape. This article will go deeper into why you need to pay attention to the direction of your light.
Learn about sidelight HERE.